|
@@ -0,0 +1,265 @@
|
|
|
|
|
+CDPR8 programs: current active list.
|
|
|
|
|
+
|
|
|
|
|
+
|
|
|
|
|
+asciiget - print contents of text file to std output (console)
|
|
|
|
|
+ as list of characters with ASCII decimal code.
|
|
|
|
|
+ [NOT IN SOUNDLOOM]
|
|
|
|
|
+
|
|
|
|
|
+bounce - "Bounce" a sound (Accelerating repeats, decaying in level).
|
|
|
|
|
+ USAGE:
|
|
|
|
|
+bounce bounce inf outf count startgap shorten endlevel ewarp [-smin] [-e] [-c]
|
|
|
|
|
+
|
|
|
|
|
+ [use "shorten" carefully, as multiplier. e.g. 0.95 appropriate, 0.1 not![
|
|
|
|
|
+
|
|
|
|
|
+brownian - [multichan] Generate texture of sampled elements following brownian motion in pitch and space.
|
|
|
|
|
+
|
|
|
|
|
+ [ COMPLEX, 2 modes; - aimed at m/c outputs ]
|
|
|
|
|
+
|
|
|
|
|
+caltrain - [pvoc] - Generates version of source with upper spectral channels time-blurred.
|
|
|
|
|
+
|
|
|
|
|
+cascade [multichan] - Successive segments of src are repeat-echoed, and echosets superimposed on src.
|
|
|
|
|
+
|
|
|
|
|
+ [COMPLEX: 10 modes]
|
|
|
|
|
+
|
|
|
|
|
+clicknew - make clicktrack using times listed in textfile.
|
|
|
|
|
+
|
|
|
|
|
+clip - Mode 1: Clip signal at specified level.
|
|
|
|
|
+ Mode 2: Clip half-waveforms at specified fraction.
|
|
|
|
|
+
|
|
|
|
|
+ [hard digital clipping, then normalised to infile level]
|
|
|
|
|
+
|
|
|
|
|
+crumble [multichan] - Project a MONO source on all channels of multichan output, then segment it,
|
|
|
|
|
+ and distribute the segments over smaller and smaller groups of channels.
|
|
|
|
|
+ [2 modes, 8ch or 16ch]
|
|
|
|
|
+ [COMPLEX: almost all params time-variable]
|
|
|
|
|
+
|
|
|
|
|
+
|
|
|
|
|
+crystal [multichan] - Generate N snd-events based on position of N vertices of a crystal,
|
|
|
|
|
+ Then rotate crystal in 3-d space, and generate another group of N events, etc.
|
|
|
|
|
+ [COMPLEX: modes set no of output channels; text data file]
|
|
|
|
|
+
|
|
|
|
|
+cubicspline [pvoc] - Generate smoothed curve from input data re spectrum
|
|
|
|
|
+ input and output are spectrum data files
|
|
|
|
|
+
|
|
|
|
|
+ [need to know how to use output data file...]
|
|
|
|
|
+
|
|
|
|
|
+ distcut [wavesets] - Cut sound into elements with falling envelope.
|
|
|
|
|
+ [ multiple outfiles, each has N wavesets]
|
|
|
|
|
+
|
|
|
|
|
+distmark [wavesets] - Interpolate between waveset-groups at marked points in MONO soundfile.
|
|
|
|
|
+ In Mode 2 interpolate within ALTERNATE marked blocks.
|
|
|
|
|
+ [uses data file input]
|
|
|
|
|
+
|
|
|
|
|
+
|
|
|
|
|
+distmore [wavesets] - multiple distortion processes: bright double segsbkwd segszig
|
|
|
|
|
+ bright [3 modes]: Reorders sound segments in order of average zero-crossing rate
|
|
|
|
|
+ double: Doubles (quadruples etc.) frq of each waveset
|
|
|
|
|
+ segsbkwd [9 modes]: Reverses certain (sets of) segments
|
|
|
|
|
+ segszig [3 modes]:
|
|
|
|
|
+ MODE1 Zigzags across tail segments of a soundfile while playing it.
|
|
|
|
|
+ MODES 2&3 Zigzag across entire soundfile.
|
|
|
|
|
+ [MODE 1 uses text data file]
|
|
|
|
|
+ [very much aimed at speech processing: consonant + vowel etc]
|
|
|
|
|
+ [minimal ref in Soundloom - needs checking if supported]
|
|
|
|
|
+
|
|
|
|
|
+distrep [wavesets] - Mode 1: TIMESTRETCH FILE BY REPEATING 'WAVECYCLES'
|
|
|
|
|
+ Mode 2: REPEAT 'WAVECYCLES' BUT THEN CYCLES SKIP TO AVOID TIMESTRETCH
|
|
|
|
|
+
|
|
|
|
|
+distshift [wavesets] - Mode 1: Shift alternate (groups of) half-wavecycles forward in time
|
|
|
|
|
+ (wrapping back around zero-time if pushed beyond sound end).
|
|
|
|
|
+ Mode 2: Swap alternate half-wavecycle(group)s.
|
|
|
|
|
+
|
|
|
|
|
+distwarp [wavesets] - Mode 1: warp-multiplier increments samplewise.
|
|
|
|
|
+ Mode 2: warp-multiplier increments wavesetwise.
|
|
|
|
|
+ [ NOT IN SOUNDLOOM]
|
|
|
|
|
+
|
|
|
|
|
+dvdwind - Shorten a sound by read, skip, read, skip procedure.
|
|
|
|
|
+
|
|
|
|
|
+envcut - [2 modes] - Cut sound into elements with falling envelope.
|
|
|
|
|
+ [multiple outfiles]
|
|
|
|
|
+
|
|
|
|
|
+envspeak [12 modes, plus another 12 with same variation] - Process speech "syllables".
|
|
|
|
|
+ [NOT IN SOUNDLOOM]
|
|
|
|
|
+
|
|
|
|
|
+flatten - Equalise level of sound elements in mono src.
|
|
|
|
|
+ [usage implies application to speech src syllables]
|
|
|
|
|
+
|
|
|
|
|
+flutter [multichan] - Distribute a loudness tremulation around a multichannel output
|
|
|
|
|
+ [uses input data text file]
|
|
|
|
|
+
|
|
|
|
|
+fractal - Create fractalised version of sound
|
|
|
|
|
+ [usage warning should be taken seriously - program can create extremely long outfiles!]
|
|
|
|
|
+
|
|
|
|
|
+fturanal [pvoc] - AUTOMATIC FEATURE EXTRACTION
|
|
|
|
|
+ - anal [3 modes]: Extract spectral features from an analysis file: output to textfile.
|
|
|
|
|
+ - synth [10 modes]: Use spectral features data to reassemble MONO source file.
|
|
|
|
|
+ [NOT IN SOUNDLOOM]
|
|
|
|
|
+
|
|
|
|
|
+ hover2 - move through a file, zigzag reading it at a given frequency,
|
|
|
|
|
+ reading back and forth from a zero-crossing,
|
|
|
|
|
+ then outputting same data inverted,
|
|
|
|
|
+ to form symmetrical zero-centred waveforms at each read.
|
|
|
|
|
+
|
|
|
|
|
+
|
|
|
|
|
+motor - [9 modes] - Create fast (inner) pulse-stream, within slower (outer) pulsed-enveloping.
|
|
|
|
|
+ Under every outer-pulse, set of inner events cut successively from input src(s)
|
|
|
|
|
+ as the outer-envelope rises, then in reverse order as it falls.
|
|
|
|
|
+ Outer-pulse, shortened by "PRATIO", must hold at least 2 inner-pulses.
|
|
|
|
|
+ [COMPLEX: many flag options, text data file]
|
|
|
|
|
+
|
|
|
|
|
+multiosc - [synthesis] - Usage suggests FM-style chain of oscs
|
|
|
|
|
+ MODE 1 Oscillation of oscillation.
|
|
|
|
|
+ MODE 2 Oscillation of oscillation of oscillation.
|
|
|
|
|
+ MODE 3 Oscillation of oscillation of oscillation of oscillation.
|
|
|
|
|
+
|
|
|
|
|
+ [maybe not complete FM: usage shows time-variable freqs, but not amps - NEEDS CHECKING]
|
|
|
|
|
+ [ also: danger of clipping - output is max amp always]
|
|
|
|
|
+ [minimal in SOUNDLOOM, just recognised and in the list ]
|
|
|
|
|
+
|
|
|
|
|
+multisynth - [synthesis] [stereo/multichan] Synthesize several sound-streams from a score.
|
|
|
|
|
+ [fixed, small set of instruments; some strange restrictions!]
|
|
|
|
|
+ [ NB: this is included by Soundloom]
|
|
|
|
|
+
|
|
|
|
|
+newscales - [synthesis] ??? additive synth? datafiles for notelist and harmonic spectrum.
|
|
|
|
|
+ [NOT IN SOUNDLOOM]
|
|
|
|
|
+
|
|
|
|
|
+onset [multichan] - Return the succession of sound-onsets in each channel of a multichannel file.
|
|
|
|
|
+ USAGE: onset onset infile outtextfile
|
|
|
|
|
+ [ = Utility function for Soundloom?]
|
|
|
|
|
+
|
|
|
|
|
+pairex [multichan] - Extract any pair of channels from a multichannel sound.
|
|
|
|
|
+ [ utility prog for Soundloom: "channelx" etc more suitable for cmdline use ]
|
|
|
|
|
+
|
|
|
|
|
+partition [wavesets] [2 modes] - Partition mono sound file into disjunct files
|
|
|
|
|
+ in blocks defined by groups of wavesets, or by duration.
|
|
|
|
|
+
|
|
|
|
|
+phasor - [ quasi multichan] Introduce [mostly extreme] phasing into signal : Takes a MONO input file.
|
|
|
|
|
+ will output multiple mono files, or mix to stereo (or whatever).
|
|
|
|
|
+ Interesting - not to be compared with a "standard" phaser effect!.
|
|
|
|
|
+
|
|
|
|
|
+pulser - [some multichan] GENERATE STREAMS OF PULSES
|
|
|
|
|
+ USAGE: pulser NAME (mode) [infile] outfile parameters:
|
|
|
|
|
+ where NAME can be pulser|multi| synth
|
|
|
|
|
+ [COMPLEX] each is elaborate, multiple params, options.
|
|
|
|
|
+
|
|
|
|
|
+quirk - [wavesets] - Distort signal by raising sample values to a power.
|
|
|
|
|
+ [ 'power' can be < 1]
|
|
|
|
|
+
|
|
|
|
|
+refocus - [enveloping] - For a set of sounds to be mixed, generate corresponding set of envelopes
|
|
|
|
|
+ which bring each sound in turn into focus (louder than others)
|
|
|
|
|
+ at a specified timestep.
|
|
|
|
|
+ These envelopes can them be applied to the sounds before the final mix is made.
|
|
|
|
|
+
|
|
|
|
|
+repair - [multichan] - Join a list of mono sounds into stereo, 4-channel or etc outputs.
|
|
|
|
|
+ [seems to be used by Soundloom in "batch" processes, may not be represented directly in gui]
|
|
|
|
|
+ [ similar territory to 'interlx']
|
|
|
|
|
+
|
|
|
|
|
+repeater [3 modes] - Play source, with specified elements repeating.
|
|
|
|
|
+ MODE 3 produces dimming, accelerating output, like bouncing object.
|
|
|
|
|
+ [a sort of algorithmic delay line system?]
|
|
|
|
|
+
|
|
|
|
|
+rotate - [multichan?] USAGE: rotate centre-x centry-y angle points [-s]
|
|
|
|
|
+ generates data list of x/y coordinates - mainly for Soundloom?
|
|
|
|
|
+
|
|
|
|
|
+scramble [wavesets] [14 modes] - Scramble order of waveset in src.
|
|
|
|
|
+
|
|
|
|
|
+sorter - [5 modes] - Chop mono source into elements then reorganise by loudness, or duration
|
|
|
|
|
+ [COMPLEX? many flag options. may be difficult to relate results to parameters etc]
|
|
|
|
|
+
|
|
|
|
|
+specanal [pvoc] [10 modes] - Generate various types of analysis data, or filter data from sound.
|
|
|
|
|
+ [in effect, a custom version of pvoc to generate data files for gui display
|
|
|
|
|
+ Modes 2-6 generate sets of text outfiles, 1 for each analysis window from input
|
|
|
|
|
+ (except first - zeroed - window).
|
|
|
|
|
+ These can be used to run a "movie" of the data in Soundloom.
|
|
|
|
|
+ Modes 7-10 generate 1 textfile, a MIDI list, or a MIDI varibank filterdata file.
|
|
|
|
|
+ [implication: varibank data can be used to create a vocoder]
|
|
|
|
|
+ [COMPLEX? cmd users may find text data files intractable,
|
|
|
|
|
+ better just to use standard pvoc for analysis]
|
|
|
|
|
+
|
|
|
|
|
+specav [pvoc] [3 modes] - FIND AVERAGE SPECTRUM OF A SOUND OR OF SEVERAL SOUNDS
|
|
|
|
|
+ OR
|
|
|
|
|
+ EXTRACT CHANGING SPECTRUM OF SINGLE ANALYSIS FILE AS LIST OF TEXTFILES
|
|
|
|
|
+ [Output is textfile(s), so assume primarily tool for Soundloom.]
|
|
|
|
|
+
|
|
|
|
|
+specenv [pvoc] - Get the spectral envelope of file 2 and apply it to file 1.
|
|
|
|
|
+ Process equivalent to format extraction + formant impose/replace
|
|
|
|
|
+ but allows for larger spectral windows.
|
|
|
|
|
+ [so probably very similar to Csound "pvscross" etc]
|
|
|
|
|
+
|
|
|
|
|
+specfnu [pvoc] [23 modes] - Modify spectral shape in relation to formant peaks, or show formant data.
|
|
|
|
|
+ [COMPLEX - each mode elaborate, large no of flag options etc.]
|
|
|
|
|
+
|
|
|
|
|
+
|
|
|
|
|
+specfold [pvoc] [3 Modes] - Fold|invert|randomize [part of] the spectrum
|
|
|
|
|
+
|
|
|
|
|
+spectstr [pvoc] - TIME-STRETCHING OF INFILE, SUPPRESSING ARTEFACTS WHEN STRETCH IS > 1.0
|
|
|
|
|
+
|
|
|
|
|
+spectune [pvoc][6 modes] - Find (most prominent) pitch in input file
|
|
|
|
|
+ then transpose input file to ....
|
|
|
|
|
+ 1: nearest tempered pitch.
|
|
|
|
|
+ 2: nearest of pitches listed in "tuning" file.
|
|
|
|
|
+ 3: nearest pitch, or its octave equivalents, listed in "tuning" file.
|
|
|
|
|
+ 4: Report the pitch found : no sound output.
|
|
|
|
|
+ 5: Tune sound to a given (possibly time-varying) pedal pitch and its harmonics.
|
|
|
|
|
+ 6: Report median pitch in all segments indicated.
|
|
|
|
|
+
|
|
|
|
|
+ speculate [pvoc] - Generates versions of source with channel data progressively permuted.
|
|
|
|
|
+ Using bell-ringing "Plain Bob" type channel-swapping sequence.
|
|
|
|
|
+ [WARNING: creates a LOT of output files! E.g. could be 60 or more.]
|
|
|
|
|
+
|
|
|
|
|
+ spike - Envelope the input sound to spike at the peak.
|
|
|
|
|
+ [for single spike, ramp up to then down from.]
|
|
|
|
|
+ [could be used in combination with pitch shift to create Doppler effect.]
|
|
|
|
|
+
|
|
|
|
|
+ spin [multichan] - Spin two wide stereo-image across a 5-channel-wide sound image
|
|
|
|
|
+ (with possible doppler pitch-shift of the moving edges).
|
|
|
|
|
+ output options 'stereo' [3 modes]
|
|
|
|
|
+ 'quad' [2 modes]
|
|
|
|
|
+ both actually offer n-channel options.
|
|
|
|
|
+
|
|
|
|
|
+splinter [4 modes] - Creates splinters by repeating & shrinking selected waveset-group in sound.
|
|
|
|
|
+ Either splinters repeat before merging with orig snd at time-in-src specified.
|
|
|
|
|
+ OR original sound plays up to selected time, then splinters,
|
|
|
|
|
+
|
|
|
|
|
+ strands [3 modes] - Generate pitch-data for several streams (or the combined sound itself)
|
|
|
|
|
+ where total pitch-tessitura divided into equal-sized pitch-BANDS
|
|
|
|
|
+ and each band made of pitch-line THREADS, cycling around one-another
|
|
|
|
|
+ pitchwise, within the band, IF twist strays from zero.
|
|
|
|
|
+ Strands in adjacent bands spiral in opposite directions.
|
|
|
|
|
+ Long 2-page usage message!
|
|
|
|
|
+
|
|
|
|
|
+stutter - Slice src (e.g. speech) into elements (e.g. words or syllables).
|
|
|
|
|
+ Cut segments from elements, always cutting from element start.
|
|
|
|
|
+ Play these in a random order (with possible intervening silence).
|
|
|
|
|
+ [ requires data file: list of times at which to slice src into elements.
|
|
|
|
|
+ Minimum timestep between times (MT) = 0.016 secs. ]
|
|
|
|
|
+
|
|
|
|
|
+suppress [pvoc] - Suppress the most prominent partials in selected frequency band
|
|
|
|
|
+ [requires 'timeslots' data file of time pairs wherein partials are suppressed.]
|
|
|
|
|
+
|
|
|
|
|
+synspline [synthesis] - Synthesis from waveforms made by smoothly joining randomly generated points.
|
|
|
|
|
+
|
|
|
|
|
+tesselate [multichan] - Create repeating-pattern-with-shift in space and time.
|
|
|
|
|
+ Each (mono) source repeated on pair(s) of channels,
|
|
|
|
|
+ But with slightly different delay in the paired channels.
|
|
|
|
|
+ [multiple mono infiles, multichan outfile (>=2)]
|
|
|
|
|
+ [ data file input, has to match infile count, etc ]
|
|
|
|
|
+
|
|
|
|
|
+tostereo [multichan] - Cause stereo file to start mixed-to-mono and then diverge to real stereo.
|
|
|
|
|
+ [outfile chans can be > 2, i.e. stereo across arbitrary pair of channels ]
|
|
|
|
|
+
|
|
|
|
|
+ts [synthesis] - Treat data in time-series format (list of numbers) as a soundwave plot.
|
|
|
|
|
+ - modes are 'oscil' or 'trace'
|
|
|
|
|
+ oscil: looks like, in effect, a waveform drawing facility
|
|
|
|
|
+ trace: Treat data in time-series format (list of numbers)
|
|
|
|
|
+ as the pitch-trace of some defined waveform [additive harmonic data].
|
|
|
|
|
+
|
|
|
|
|
+tweet [3 modes] - Replace FOFs in vocal sound by synthetic tweets or (mode 3) noise.
|
|
|
|
|
+ input data file 'pitchdata' suggested got from 'repitch getpitch 2'.
|
|
|
|
|
+
|
|
|
|
|
+verges - Play source, with specified brief moments glissing up or down.
|
|
|
|
|
+ [requires data file with times of 'verge-attacks']
|
|
|
|
|
+
|
|
|
|
|
+
|
|
|
|
|
+
|
|
|
|
|
+
|